art of resistance, Syria

Jehan Bseiso | Requiem For Raqqa.

raqqa_bread/Scenes from Syrian War: Raqqa, by Molly Crabapple/

Requiem For Raqqa

4th of July fireworks descend hot as acid,
call it chemical, not white phosphorus,
call it mistake, not massacre.

A doctor in East Ghouta tells me one grave holds his entire family.
(you left me)

A pharmacist sends me a voice note saying there is no more Insulin.
(you left me)

A politician in the US doesn’t know what Aleppo is.
(how could you leave me?)

In occupied Jerusalem, a young man says:
“Syria is the Nakba of our generation.”

(you broke my heart)

Hide in a cafe in Marseilles, order Turkish coffee with lots of sugar.
Go to the library in Alexandria, order lots of books about politics.
Stop reading.

Don’t watch Al Jazeera.
Don’t listen to the BBC.
Make up your own mind, says Beirut graffiti.
(but, you left me, you really left me)

It’s been six years since I slept, Syria.

This poem was first published on Mada Masr.

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art of resistance

In Defence Of M.I.A.

mia borders video/photo: ytb-prtsc, Borders video/

There has always been a lot of controversy about M.I.A. and her music, and most of the time for the wrong reasons. I wouldn’t usually take time to write about it, but I feel it’s important to write something because it just doesn’t stop – by it I mean the shitstorm M.I.A. is facing.

Like it was nicely explained on Backwithpowerpower, it really doesn’t stop – from the dislikes she gets for posting photos of refugees and conditions they live in on Instagram, to debates about her headlining Afropunk. Sure, some of the criticism she has faced over the years is justified and it opened up space for conversations  that were much needed (I think Afropunk is in that category), but it’s also important to note that there was a lot of criticism over the years that wasn’t aimed to be constructive, but rather destructive (in relation to M.I.A.).

It wasn’t really about engaging with her, it wasn’t about having a discussion, it was about silencing her, discrediting her – in one fast move, usually. Of course, M.I.A. is a not a one-trick pony and cannot be discarded just like that. Her message resonates with many people, although they might not be the ones having the power in their hands and setting the course of mainstream conversations.

The first thing that comes to mind and is necessary to go back to again, is the famous article published in The New York Times six years ago, written by Lynn Hirschberg, titled M.I.A.’s Agitprop PopIt was the article that made M.I.A. say “fuck the New York Times” and that sentiment was not without a reason.

After it was published, M.I.A. posted two audio recordings from her interview, that she secretly taped. Hirschberg suerly didn’t expect that. In the published piece, M.I.A. is described as “eating a truffle-flavored French fry” as she mused about what type of artist she is. To be precise, here is the quote:

“‘I kind of want to be an outsider’, she said, eating a truffle-flavored French fry. ‘I don’t want to make the same music, sing about the same stuff, talk about the same things. If that makes me a terrorist, then I’m a terrorist.'”

Now, if you are an observant reader, truffle-flavoured French fry is not just a small detail, it might tell you a lot about M.I.A.’s personality, it might tell you how she is, well, one of the fancy rich folks, pretending while talking about being an outsider and all.

The thing is, according to the tape M.I.A. posted after the interview was published, it was Hirschberg who introduced the concept of fry-ordering, and proposed the idea of a fancy treat. M.I.A. also tweeted Hirschberg’s phone number in response to the piece. Hirschberg said that was an unethical thing to do, but didn’t think it was surprising. “She’s a provocateur, and provocateurs want to be provocative”, she said about M.I.A.

But M.I.A. was just angry, because she felt that she was cheated on, that her story was distorted. Hirschberg’s own opinions and desire for a strong angle got in the way of her piece’s veracity. All the way through the nine page piece, it feels like she wants to discredit M.I.A., in a subtle way, writing things like:

“But many of her fans didn’t listen too closely to her lyrics, concentrating instead on the beat, the newness of the sound and her own multiculti, many-layered appeal. She was an instant indie darling (although Arular sold only 190,000 copies in the United States). Her songs were creative and abrasive in an intoxicating way, and it didn’t hurt that Maya was absolutely great looking. She quickly became a style icon: like that of all great pop stars, her anger and spirit of revolution was mitigated by sex.”

Now, that is what I am talking about. Hirschberg, whose main issues with M.I.A. are precisely her political lyrics, tries to downplay the importance of that part of M.I.A.’s work – saying how her fans don’t even listen closely to the lyrics. She also says how it’s basically all about her great looks. Sure, M.I.A. is beautiful, she has a unique style and there’s a cool vibe about it, but, her anger wasn’t and isn’t mitigated by sex (that is exactly why many people have issues with her).  In a song 20 dollar, from her second album Kala, M.I.A. raps:

People judge me so hard

’cause I don’t floss my titty set

I was born out of dirt like I’m porn in a skirt

I was a little girl who made good with all that I blurt

I put people on the map that never seen a map

I show ’em something they ain’t never seen

And hope they make it back

Saying M.I.A.’s politics don’t matter means being dismissive about the absolute core of her work, from day one. It’s also totally dishonest, as it is obvious in the part of the article where Hirschberg writes about the Born Free video:

“Seemingly designed to be banned on YouTube, which it was instantly, the video is set in Los Angeles where a vague but apparently American militia forcibly search out red-headed men and one particularly beautiful red-headed child. The gingers, as Maya called them, using British slang, are taken to the desert, where they are beaten and killed. The first to die is the child, who is shot in the head. While ‘Born Free’ is heard in the background throughout, the song is lost in the carnage. As a meditation on prejudice and senseless persecution, the video is, at best, politically naïve.”

So, first we will say that M.I.A.’s political message is not important at all, and then we will discard her on the basis of that political message. Hirschberg was not the only one to do that. In an article on Flavorwire, titled Is It Time To Give Up On M.I.A.? Judy Berman writes:

“The (ultraviolent, NSFW) music video (if you can call it that) for ‘Born Free’ brought M.I.A.’s political posturing to a new low. In case you’ve somehow managed to miss the flap over the seemingly endless clip, it features military types rounding up and shooting redheads, including some particularly adorable children. While some were impressed with M.I.A. and director Romain-Gavras’ messaging, all we got out of the extreme visuals was this: ‘Genocide happens! And it’s bad! What if it happened to you?’ Next time, try telling us something we didn’t know… or at least leaving shocked viewers with some opportunity to get involved in efforts to stop mass murder around the world.”

So, many of the critics got on the bandwagon, saying M.I.A. is just superficial and provocative, and her work is pure political posturing – she’s not really informed, she doesn’t really care, she just wants attention. Now, this definition “she’s not really informed, she doesn’t really care, she just wants attention” can be applied to a great majority of pop stars today (although they will never be nailed to a cross, or even questioned for it), but it cannot be applied to M.I.A.

You don’t see a lot of pop stars doing what she’s doing to “get attention”, do you? You don’t see a lot of mainstream musicians making bold statements and taking a stand on various issues, through their music and their public appearance, do you? Sure, little moments happen from time to time, but they seem very calculated and thought out in order not to shake things up too much. So, why aren’t their PR experts telling them to do what M.I.A. does, if that has been working out so well for her?

Simply because – it’s risky, it will get you in trouble, it upsets the status quo (and status quo is good for business, and business is all that matters). But M.I.A. won’t stick to the rules of business. In Born Free, she raps:

Yeah I don’t wanna live for tomorrow

I push my life today

I throw this in your face when I see ya

I got something to say

I throw this shit in your face when I see ya

Cause I got something to say

We really ought to ask ourselves what we want from our public figures. Should we really aim all the criticism towards the ones who are trying to open up the debate, who are giving space to new voices, who offer us new and different perspectives, who make us think, or make us feel uncomfortable? Are we really going to analyze them in detail, tear them apart, make them disposable? Do we really want to magnify their flaws, present them as the main thing about their work?

And at the same time, we will not say anything about all of those who create music that supports the system, that questions nothing, music that is just a nice sound and nothing else, music that is one long lullaby to our brain. They are ok, the damage that they are doing we do not see and do not question. But from M.I.A. we will demand consistency, adherence to principles all the time, in everything she does. And if she makes one mistake, we will call her a fake and say it’s time to give up on her?

Sure, that doesn’t mean we shloudn’t talk about the issues that exist. I don’t like the fact that M.I.A. decided to be fronting a recycling campaign for H&M, a company that relies on sweatshops and cheap third world labour. Even if you want to say they are making an effort (recycling and all) there’s an issue there too – those who recycle their clothes at H&M, which allows you to turn in garments at its stores year round, get a voucher for a discount on their next purchase, giving them incentive to buy more clothes. So yeah, it’s an issue.

Also, criticism of M.I.A.’s headlining of Afropunk have some truth to them – it is an event conceived by Black people, for Black people. But is it really just her fault, or was it also the organizers, who invited her in the first place? Aren’t they also complicit in erasing Black talent in this case? Those questions also need to be asked and we need to think about them, the same way we need to think about the importance of Black-Brown solidarity.

Now, back to that interview published in The New York Times. In it, it was also emphasized how M.I.A. said that instead of giving peace a chance we should maybe give war a chance, a stance then connected to her “militaristic and rebelious character”. I think this could be discussed on so many levels. For example, watching the Democratic National Convention (!) last week, you could hear much more horrifying things than what M.I.A. has (ever?) said.

General John Allen went out to say (yell might be a better word for it), among other things: “To our enemies, we will pursue you as only America can. You will fear us, we will defeat you”. I didn’t see much uproar about his and many other similar views expressed that night. If Hassan Rouhani yelled out something like that, it would be welcomed with terror. Because, you see, from the position of world dominance fueled with the (out of reality) idea of the “greatest nation in the world” it’s hard to recognize your own violent rethoric, your own exclusivity and aggression. That’s why it’s troubling to many when they hear lyrics like the ones in Bucky Done Gone from M.I.A.’s first album Arular:

Can I get control

Do you like me vulnerable

I’m armed and I’m equal

More fun for the people

Recently, M.I.A. has been criticised for her comments about Beyoncé and the Black Lives Matter movement, expressed in the interview in the Evening Standard. “It’s interesting that in America the problem you’re allowed to talk about is Black Lives Matter. It’s not a new thing to me – it’s what Lauryn Hill was saying in the 1990s, or Public Enemy in the 1980s”, she said.

She later added: “Is Beyoncé or Kendrick Lamar going to say Muslim Lives Matter? Or Syrian Lives Matter? Or this kid in Pakistan matters? That’s a more interesting question. And you cannot ask it on a song that’s on Apple, you cannot ask it on an American TV programme, you cannot create that tag on Twitter, Michelle Obama is not going to hump you back.” Since the piece was published M.I.A. has clarified her position, saying she wasn’t criticising Beyoncé directly, or BLM, and that her point was that only certain issues are allowed to be discussed on “American platforms”.

What she is really questioning is American exception and hegemony, the larger American imperialist structure. Now, this is where we need to talk about unity, about the way the oppressed people can recognize each other’s struggles and the way their struggles are connected. It’s a chance to talk about the multiple layers of oppression that make up the complex realities we live in. Because it’s not only about racism, it’s not only about imperialism, it’s not only about capitalism, it’s not only about patriarchy. It’s about all of it combined. That is the struggle. Neither one of those alone can serve as a lens to understand all forms of power and all the issues we face – it is just not that simple. We need to recognize that in order to develop true solidarity.

As Akiba Solomon writes in Yes! Magazine, “My lips, so accustomed to spitting out ‘White supremacy’ and ‘racism,’ never once considered ‘patriarchy’ as a way to explain why things were so fucked up for people who were not White, heterosexual, able-bodied, traditionally masculine, cisgender males with money. This was true even as I saw the women closest to me doing feminist work.”

And finally, when it comes to M.I.A., I think one of the most important things about her is (one) that she is holding a mirror and (two) she is trying to own her story. And she won’t be silenced, she won’t play the game politely, she won’t be a puppet. Yeah, she’s flawed, and who isn’t? Unlike many, I think she’s actually willing to talk about it. You may not like what she has to say, and so what? That’s Karmageddon, baby.

Things do change and change can have range

System shouldn’t operate by sticking me in a cage

Ain’t Dalai Lama

Ain’t Sai Baba

My words are my armour and you’re about to meet your karma

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art of resistance

Border Wars | Profiting From Refugee Tragedy.

arms

A new report by Transnational Institute (TNI) is out – it focuses on the arms dealers profiting from the refugee crisis. The report exposes the military and security companies that are winning contracts to provide the equipment to border guards, the surveillance technology to monitor frontiers, and the IT infrastructure to track population movements.

This report turns a spotlight on those border security profiteers, examining who they are and the services they provide, how they both influence and benefit from European policies and what funding they receive from taxpayers. The report shows that far from being passive beneficiaries of EU largesse, these corporations are actively encouraging a growing securitisation of Europe’s borders, and willing to provide ever more draconian technologies to do this.

Most perverse of all, it shows that some of the beneficiaries of border security contracts are some of the biggest arms sellers to the Middle-East and North-African region, fuelling the conflicts that are the cause of many of the refugees. In other words, the companies creating the crisis are then profiting from it.

Under the banner of “fighting illegal immigration”, the European Commission plans to transform its border security agency Frontex into a more powerful European Border and Coast Guard Agency. This would have control over member states border security efforts and a more active role as a border guard itself, including purchasing its own equipment. The agency is backed up by EUROSUR, an EU system connecting member and third states’ border security surveillance and monitoring systems.

borser

The reports shows that the the border security market is booming. Estimated at some 15 billion euros in 2015, it is predicted to rise to over 29 billion euros annually in 2022. The arms business, in particular sales to the Middle-East and North-Africa, where most of the refugees are fleeing from, is also booming. Global arms exports to the Middle-East actually increased by 61 per cent between 2006–10 and 2011–15. Between 2005 and 2014, EU member states granted arms exports licences to the Middle East and North Africa worth over 82 billion euros.

The big players in Europe’s border security complex include arms companies Airbus, Finmeccanica, Thales and Safran, as well as technology giant Indra. Finmeccanica and Airbus have been particularly prominent winners of EU contracts aimed at strengthening borders. Airbus is also the number one winner of EU security research funding contracts.

Finmecannica, Thales and Airbus, prominent players in the EU security business are also three of the top four European arms traders, all active selling to countries in the Middle East and North Africa. Their total revenues in 2015 amounted to 95 billion euros.

Israeli companies are the only non-European receivers of research funding (thanks to a 1996 agreement between Israel and the EU) and also have played a role in fortifying the borders of Bulgaria and Hungary, and promote their expertise based on the West Bank separation wall and the Gaza border with Egypt. Israeli firm BTec Electronic Security Systems, selected by Frontex to participate in its April 2014 workshop on “Border Surveillance Sensors and Platforms”, boasted in its application mail that its “technologies, solutions and products are installed on [the] Israeli-Palestinian border”.

The arms and security industry has successfully captured the 316 million euros funding provided for research in security issues, setting the agenda for research, carrying it out, and then often benefiting from the subsequent contracts that result. Since 2002, the EU has funded 56 projects in the field of border security and border control.

Read the full report here, (and pass it on).

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art of resistance, Yemen

Yemen: The Melody of Our Alienation.

max pam/image © Max Pam, Ramadan in Yemen (1993)/

“What could I say about Yemen that did it justice. I tried in my journal to work it honestly. I tried with 60 rolls of black and white 120 film to translate the experience. That hot, spare and beautiful Ramadan.

No eating or drinking anything between sunrise and sunset. The faithful waiting for the moment. The cannon booms from the mosque in the afterglow of the day. KABOUMMM and a frenzy of quat buying, tea drinking and food eating begins in the suqs and squares and oases and towns all over the country. Everyone happy, elated laughing and joking sitting down together as one nation.

And you know what, people always wanted me to share and be part of their Ramadan, their community, their Yemen. I travelled all over the country with them. To Shibam, Taizz, Al Mukallah, Sanaa, over the desert, by the sea and into the mountains. The shared taxis were always a half past dead Peugeot 405’s with sometimes 10 or 12 people jammed in.

The 92 pages of this book give my version of that unforgettable Ramadan month. An experience freely given to me by the generosity of Yemeni people.”

That is how Max Pam described his experience of Yemen twenty-two years ago, summed up in his journal Ramadan in Yemen.

Twenty-two years later in Yemen, at least 120 people are dead after Saudi-led airstrikes pummeled a residential neighborhood in the western port city of Mokha late Friday. It was the deadliest wave of bombings since the U.S.-backed campaign against Houthi rebels began in March. The strikes hit a housing complex for power plant workers, flattening buildings and sparking fires that spread throughout the neighborhood and burned alive women, children and elderly.

One of the Mokha residents described the onslaught: “There were continuous airstrikes without any breaks. And we have no military men, no devils. We don’t even have gunmen around here. We couldn’t get to our children. There were some 20 bodies that I pulled out with my own hands and counted. Who is to blame for this?”

The ceasefire took effect Sunday night at midnight, but within hours both sides said the other had resumed attack.

As Yemeni poet Abdulaziz Al Maqaleh asks in The Melody of Our Alienation: “Has nonsense become common sense? Has the non-rational become rational?”

His poem comes to my mind because it is a beautiful act of devotion and hope in these bad times for Yemen. But, it also comes to my mind because the title The Melody of Our Alienation illustrates the position of the outside world towards Yemen (and not just Yemen) perfectly. All these wars and conflicts played to the tunes of our alienation – from the rest of the world, from ‘others’, from anything and everything that is not Me, Myself & I.

Watch and listen. In the end, The Melody of Our Alienation is a reminder that no matter how strange the city of Sana’a (and Yemen in general) feels now, its people are not strangers in their own city. It is their city. It is where they belong. It is where they will make a difference as agents of peace.

“Sana’a.. Even if she slept on its sorrows for some time. Even if she caved in and the numbness took too long. Her morning shall revolt in the face of darkness. And certainly… The rain will one day wash away her drought.”

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art of resistance, Syria

Five For Friday: Postcards From Syrian Refugees.

Postcards of Hope are the result of a series of art therapy workshops in Ramtha, Mafraq, Irbid and Zaatari camp organised by International Rescue Committee (IRC) . More than 70 Syrian refugees participated in the workshops, mainly women, adolescent girls and boys as well as children.

As it is stated on the official site of the project, “the postcards were a tool to encourage Syrian refugees to dare to dream, dare to hope again and are their messages to the world. Through the postcards created, images, refugee testimonies, and video, the resulting body of work presents a unique insight into the hopes and wishes of Syrian refugees living under harsh conditions.”

I am posting only five postcards today, but be sure to check out the rest.

1. “Despite the pain, the hope remains

IRC-10E

2“I hope to live a flourishing life among my children”

IRC-70

3. “The love between the people”

IRC-43

4. “The calm of the sea”

IRC-36

5. “I hope to go back home”

IRC-26

//all photos © IRC//

• • •

Previous Five For Friday:

Costs of War

Conversations With History

Iraq War Documentaries

Graphic Novels on Israel & Palestine

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Afghanistan, Iraq, Pakistan

Five For Friday: Costs of War.

This week, Five For Friday presents five charts and graphics concerning wars in Afganistan, Iraq and Pakistan. These exist thanks to the Costs of War project. First released in 2011, the Costs of War report has been compiled and updated by more than 30 economists, anthropologists, lawyers, humanitarian personnel, and political scientists as the first comprehensive analysis of over a decade of wars in Afghanistan, Iraq, and Pakistan.

The project analyzes the implications of these wars in terms of human casualties, economic costs, and civil liberties. Some of this data is from 2011 and 2012, so have in mind that these numbers are probably significantly higher today.

1. Iraqi IDPs and refugees.

iraq

There are more than 1.5 million internally displaced Iraqis and 1.5 million Iraqi refugees. Fifty-eight percent of Iraqi IDP households are food insecure, consuming only cereals and carbohydrates on a daily basis. Approximately 500,000 people live as squatters in Iraq. For more on this issue, read the Costs of War report.

2. Afghan IDPs and refugees.

afghan

As of 2012, there remained 1.8 million Afghan refugees in Pakistan. There are an estimated 447,547 IDPs in Afghanistan (updated). Over half of all Afghans do not have clean water and 63 percent lack effective sanitation. There are an average of 55 health personnel—including doctors, nurses, and midwives—for every 10,000 inhabitants. For more on this issue, see the Costs of War report.

3. Education in Iraq.

io

Education is important. After the 2003 invasion, Iraqi universities were stripped of their cultural artifacts as well as basic equipment—such as books, lab equipment, and desks—that allowed them to function at all. As of 2006, an estimated 160 to 380 Iraqi professors had been killed, and over 30 percent of Iraq’s professors, doctors, pharmacists and engineers emigrated between 2003 and 2007. Up to one million books and ten million unique documents have been destroyed, lost or stolen across Iraq since 2003. The US Senior Advisor to the Ministry of Education received only $8 million dollars to reconstruct Iraqi universities, including the provision of basic supplies. For more on this issue, see the Costs of War report.

4. Direct war deaths: Afghanistan, Iraq and Pakistan.

deaths

The tally of all of the war’s recorded dead — including armed forces on all sides, contractors, journalists, humanitarian workers and civilians — shows that over 350,000 people have died due to direct war violence, and many more indirectly. 220,000 civilians have been killed as a result of the fighting at the hands of all parties to the conflict, and more will die in Afghanistan, Iraq, and Pakistan as the violence continues. But most observers acknowledge that the number of civilians killed has been undercounted. The true number of civilian dead may be much larger when an adequate assessment is made. For more – see the full Costs of War report.

5. The impact of military spending.

usa

The increased military spending following 9/11 was financed almost entirely by borrowing.  According to standard macroeconomic models and evidence, rising deficits have resulted in higher debt, a higher debt to GDP ratio because debt has risen faster than income, and higher interest rates. There are many other reasons the debt has grown since 2001, including tax cuts, increases in other government spending, and the effects of the largest postwar recession and the policy response.  But military operations in Iraq and Afghanistan have raised annual deficits by about 1 percent of GDP, a trend that the Congressional Budget Office expects to continue through 2020. For more on this issue, see the Costs of War report.

• • •

Previous Five For Friday:

Conversations With History

Iraq War Documentaries

Graphic Novels on Israel & Palestine

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Nekategorizirano

Arundhati Roy: The New American Century.

This article appeared in the February 9, 2004 edition of The Nation. It was adapted from Arundhati Roy’s speech to the opening plenary of the World Social Forum in Mumbai.

Arundhati-Roy/Arundhati Roy, photo © Dinesh Khanna/

In January 2003 thousands of us from across the world gathered in Porto Alegre in Brazil and declared–reiterated–that ‘Another World Is Possible.’ A few thousand miles north, in Washington, George W. Bush and his aides were thinking the same thing.

Our project was the World Social Forum. Theirs–to further what many call the Project for the New American Century.

In the great cities of Europe and America, where a few years ago these things would only have been whispered, now people are openly talking about the good side of imperialism and the need for a strong empire to police an unruly world. The new missionaries want order at the cost of justice. Discipline at the cost of dignity. And ascendancy at any price. Occasionally some of us are invited to ‘debate’ the issue on ‘neutral’ platforms provided by the corporate media. Debating imperialism is a bit like debating the pros and cons of rape. What can we say? That we really miss it?

In any case, New Imperialism is already upon us. It’s a remodeled, streamlined version of what we once knew. For the first time in history, a single empire with an arsenal of weapons that could obliterate the world in an afternoon has complete, unipolar, economic and military hegemony. It uses different weapons to break open different markets. There isn’t a country on God’s earth that is not caught in the cross-hairs of the American cruise missile and the IMF checkbook. Argentina’s the model if you want to be the poster boy of neoliberal capitalism, Iraq if you’re the black sheep. Poor countries that are geopolitically of strategic value to Empire, or have a ‘market’ of any size, or infrastructure that can be privatized, or, God forbid, natural resources of value–oil, gold, diamonds, cobalt, coal–must do as they’re told or become military targets. Those with the greatest reserves of natural wealth are most at risk. Unless they surrender their resources willingly to the corporate machine, civil unrest will be fomented or war will be waged.

In this new age of empire, when nothing is as it appears to be, executives of concerned companies are allowed to influence foreign policy decisions. The Center for Public Integrity in Washington found that at least nine out of the thirty members of the Bush Administration’s Defense Policy Board were connected to companies that were awarded military contracts for $76 billion between 2001 and 2002. George Shultz, former Secretary of State, was chairman of the Committee for the Liberation of Iraq. He is also on the board of directors of the Bechtel Group. When asked about a conflict of interest in the case of war in Iraq he said, ‘I don’t know that Bechtel would particularly benefit from it. But if there’s work to be done, Bechtel is the type of company that could do it. But nobody looks at it as something you benefit from.’ In April 2003, Bechtel signed a $680 million contract for reconstruction.

This brutal blueprint has been used over and over again across Latin America, in Africa and in Central and Southeast Asia. It has cost millions of lives. It goes without saying that every war Empire wages becomes a Just War. This, in large part, is due to the role of the corporate media. It’s important to understand that the corporate media don’t just support the neoliberal project. They are the neoliberal project. This is not a moral position they have chosen to take; it’s structural. It’s intrinsic to the economics of how the mass media work.

Most nations have adequately hideous family secrets. So it isn’t often necessary for the media to lie. It’s all in the editing–what’s emphasized and what’s ignored. Say, for example, India was chosen as the target for a righteous war. The fact that about 80,000 people have been killed in Kashmir since 1989, most of them Muslim, most of them by Indian security forces (making the average death toll about 6,000 a year); the fact that in February and March of 2002 more than 2,000 Muslims were murdered on the streets of Gujarat, that women were gang-raped and children were burned alive and 150,000 driven from their homes while the police and administration watched and sometimes actively participated; the fact that no one has been punished for these crimes and the government that oversaw them was re-elected…all of this would make perfect headlines in international newspapers in the run-up to war.

Next thing we know, our cities will be leveled by cruise missiles, our villages fenced in with razor wire, US soldiers will patrol our streets, and Narendra Modi, Pravin Togadia or any of our popular bigots will, like Saddam Hussein, be in US custody having their hair checked for lice and the fillings in their teeth examined on prime-time TV.

But as long as our ‘markets’ are open, as long as corporations like Enron, Bechtel, Halliburton and Arthur Andersen are given a free hand to take over our infrastructure and take away our jobs, our ‘democratically elected’ leaders can fearlessly blur the lines between democracy, majoritarianism and fascism.

Our government’s craven willingness to abandon India’s proud tradition of being non-aligned, its rush to fight its way to the head of the queue of the Completely Aligned (the fashionable phrase is ‘natural ally’–India, Israel and the United States are ‘natural allies’), has given it the leg room to turn into a repressive regime without compromising its legitimacy.

A government’s victims are not only those it kills and imprisons. Those who are displaced and dispossessed and sentenced to a lifetime of starvation and deprivation must count among them too. Millions of people have been dispossessed by ‘development’ projects. In the past fifty-five years, big dams alone have displaced between 33 million and 55 million in India. They have no recourse to justice. In the past two years there have been a series of incidents in which police have opened fire on peaceful protesters, most of them Adivasi and Dalit. When it comes to the poor, and in particular Dalit and Adivasi communities, they get killed for encroaching on forest land, and killed when they’re trying to protect forest land from encroachments–by dams, mines, steel plants and other ‘development’ projects. In almost every instance in which the police opened fire, the government’s strategy has been to say the firing was provoked by an act of violence. Those who have been fired upon are immediately called militants.

Across the country, thousands of innocent people, including minors, have been arrested under the Prevention of Terrorism Act and are being held in jail indefinitely and without trial. In the era of the War against Terror, poverty is being slyly conflated with terrorism. In the era of corporate globalization, poverty is a crime. Protesting against further impoverishment is terrorism. And now our Supreme Court says that going on strike is a crime. Criticizing the court is a crime too, of course. They’re sealing the exits.

Like Old Imperialism, New Imperialism relies for its success on a network of agents–corrupt local elites who service Empire. We all know the sordid story of Enron in India. The then-Maharashtra government signed a power purchase agreement that gave Enron profits that amounted to 60 percent of India’s entire rural development budget. A single American company was guaranteed a profit equivalent to funds for infrastructural development for about 500 million people!

Unlike in the old days, the New Imperialist doesn’t need to trudge around the tropics risking malaria or diarrhea or early death. New Imperialism can be conducted on e-mail. The vulgar, hands-on racism of Old Imperialism is outdated. The cornerstone of New Imperialism is New Racism.

The best allegory for New Racism is the tradition of ‘turkey pardoning’ in the United States. Every year since 1947, the National Turkey Federation has presented the US President with a turkey for Thanksgiving. Every year, in a show of ceremonial magnanimity, the President spares that particular bird (and eats another one). After receiving the presidential pardon, the Chosen One is sent to Frying Pan Park in Virginia to live out its natural life. The rest of the 50 million turkeys raised for Thanksgiving are slaughtered and eaten on Thanksgiving Day. ConAgra Foods, the company that has won the Presidential Turkey contract, says it trains the lucky birds to be sociable, to interact with dignitaries, school children and the press. (Soon they’ll even speak English!)

That’s how New Racism in the corporate era works. A few carefully bred turkeys–the local elites of various countries, a community of wealthy immigrants, investment bankers, the occasional Colin Powell or Condoleezza Rice, some singers, some writers (like myself)–are given absolution and a pass to Frying Pan Park. The remaining millions lose their jobs, are evicted from their homes, have their water and electricity connections cut, and die of AIDS. Basically they’re for the pot. But the Fortunate Fowls in Frying Pan Park are doing fine. Some of them even work for the IMF and the WTO–so who can accuse those organizations of being antiturkey? Some serve as board members on the Turkey Choosing Committee–so who can say that turkeys are against Thanksgiving? They participate in it! Who can say the poor are anti-corporate globalization? There’s a stampede to get into Frying Pan Park. So what if most perish on the way?

As part of the project of New Racism we also have New Genocide. New Genocide in this new era of economic interdependence can be facilitated by economic sanctions. New Genocide means creating conditions that lead to mass death without actually going out and killing people. Denis Halliday, who was the UN humanitarian coordinator in Iraq between 1997 and 1998 (after which he resigned in disgust), used the term genocide to describe the sanctions in Iraq. In Iraq the sanctions outdid Saddam Hussein’s best efforts by claiming more than half a million children’s lives.

In the new era, apartheid as formal policy is antiquated and unnecessary. International instruments of trade and finance oversee a complex system of multilateral trade laws and financial agreements that keep the poor in their bantustans anyway. Its whole purpose is to institutionalize inequity. Why else would it be that the US taxes a garment made by a Bangladeshi manufacturer twenty times more than a garment made in Britain? Why else would it be that countries that grow cocoa beans, like the Ivory Coast and Ghana, are taxed out of the market if they try to turn it into chocolate? Why else would it be that countries that grow 90 percent of the world’s cocoa beans produce only 5 percent of the world’s chocolate? Why else would it be that rich countries that spend over a billion dollars a day on subsidies to farmers demand that poor countries like India withdraw all agricultural subsidies, including subsidized electricity? Why else would it be that after having been plundered by colonizing regimes for more than half a century, former colonies are steeped in debt to those same regimes and repay them some $382 billion a year?

For all these reasons, the derailing of trade agreements at Cancún was crucial for us. Though our governments try to take the credit, we know that it was the result of years of struggle by many millions of people in many, many countries. What Cancún taught us is that in order to inflict real damage and force radical change, it is vital for local resistance movements to make international alliances. From Cancún we learned the importance of globalizing resistance.

No individual nation can stand up to the project of corporate globalization on its own. Time and again we have seen that when it comes to the neoliberal project, the heroes of our times are suddenly diminished. Extraordinary, charismatic men, giants in the opposition, when they seize power and become heads of state, are rendered powerless on the global stage. I’m thinking here of President Lula of Brazil. Lula was the hero of the World Social Forum last year. This year he’s busy implementing IMF guidelines, reducing pension benefits and purging radicals from the Workers’ Party. I’m thinking also of the former president of South Africa, Nelson Mandela. Within two years of taking office in 1994, his government genuflected with hardly a caveat to the Market God. It instituted a massive program of privatization and structural adjustment that has left millions of people homeless, jobless and without water and electricity.

Why does this happen? There’s little point in beating our breasts and feeling betrayed. Lula and Mandela are, by any reckoning, magnificent men. But the moment they cross the floor from the opposition into government they become hostage to a spectrum of threats–most malevolent among them the threat of capital flight, which can destroy any government overnight. To imagine that a leader’s personal charisma and a c.v. of struggle will dent the corporate cartel is to have no understanding of how capitalism works or, for that matter, how power works. Radical change cannot be negotiated by governments; it can only be enforced by people.

At the World Social Forum some of the best minds in the world come together to exchange ideas about what is happening around us. These conversations refine our vision of the kind of world we’re fighting for. It is a vital process that must not be undermined. However, if all our energies are diverted into this process at the cost of real political action, then the WSF, which has played such a crucial role in the movement for global justice, runs the risk of becoming an asset to our enemies. What we need to discuss urgently is strategies of resistance. We need to aim at real targets, wage real battles and inflict real damage. Gandhi’s salt march was not just political theater. When, in a simple act of defiance, thousands of Indians marched to the sea and made their own salt, they broke the salt tax laws. It was a direct strike at the economic underpinning of the British Empire. It was real. While our movement has won some important victories, we must not allow nonviolent resistance to atrophy into ineffectual, feel-good, political theater. It is a very precious weapon that must be constantly honed and reimagined. It cannot be allowed to become a mere spectacle, a photo opportunity for the media.

It was wonderful that on February 15 last year, in a spectacular display of public morality, 10 million people on five continents marched against the war on Iraq. It was wonderful, but it was not enough. February 15 was a weekend. Nobody had to so much as miss a day of work. Holiday protests don’t stop wars. George Bush knows that. The confidence with which he disregarded overwhelming public opinion should be a lesson to us all. Bush believes that Iraq can be occupied and colonized as Afghanistan has been, as Tibet has been, as Chechnya is being, as East Timor once was and Palestine still is. He thinks that all he has to do is hunker down and wait until a crisis-driven media, having picked this crisis to the bone, drops it and moves on. Soon the carcass will slip off the bestseller charts, and all of us outraged folks will lose interest. Or so he hopes.

This movement of ours needs a major, global victory. It’s not good enough to be right. Sometimes, if only in order to test our resolve, it’s important to win something. In order to win something, we need to agree on something. That something does not need to be an overarching preordained ideology into which we force-fit our delightfully factious, argumentative selves. It does not need to be an unquestioning allegiance to one or another form of resistance to the exclusion of everything else. It could be a minimum agenda.

If all of us are indeed against imperialism and against the project of neoliberalism, then let’s turn our gaze on Iraq. Iraq is the inevitable culmination of both. Plenty of antiwar activists have retreated in confusion since the capture of Saddam Hussein. Isn’t the world better off without Saddam Hussein? they ask timidly.

Let’s look this thing in the eye once and for all. To applaud the US Army’s capture of Saddam Hussein, and therefore in retrospect justify its invasion and occupation of Iraq, is like deifying Jack the Ripper for disemboweling the Boston Strangler. And that after a quarter-century partnership in which the Ripping and Strangling was a joint enterprise. It’s an in-house quarrel. They’re business partners who fell out over a dirty deal. Jack’s the CEO.

So if we are against imperialism, shall we agree that we are against the US occupation and that we believe the United States must withdraw from Iraq and pay reparations to the Iraqi people for the damage that the war has inflicted?

How do we begin to mount our resistance? Let’s start with something really small. The issue is not about supporting the resistance in Iraq against the occupation or discussing who exactly constitutes the resistance. (Are they old killer Baathists, are they Islamic fundamentalists?)

We have to become the global resistance to the occupation.

Our resistance has to begin with a refusal to accept the legitimacy of the US occupation of Iraq. It means acting to make it materially impossible for Empire to achieve its aims. It means soldiers should refuse to fight, reservists should refuse to serve, workers should refuse to load ships and aircraft with weapons. It certainly means that in countries like India and Pakistan we must block the US government’s plans to have Indian and Pakistani soldiers sent to Iraq to clean up after them.

I suggest we choose by some means two of the major corporations that are profiting from the destruction of Iraq. We could then list every project they are involved in. We could locate their offices in every city and every country across the world. We could go after them. We could shut them down. It’s a question of bringing our collective wisdom and experience of past struggles to bear on a single target. It’s a question of the desire to win.

The Project for the New American Century seeks to perpetuate inequity and establish American hegemony at any price, even if it’s apocalyptic. The World Social Forum demands justice and survival.

For these reasons, we must consider ourselves at war.

• • •

For more Arundhati Roy wisdom, see:

Arundhati Roy: There’s A Lot of Money in Poverty

Arundhati Roy: The President Took The Salute

Arundhati Roy: Feminism & Foundations, Burkas & Botox

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Syria

Thirty-Three Years Later: The Ghost of Hama Massacre Lingers On.

The Hama massacre occurred in February 1982, when an uprising in the city was brutally crushed under the orders of the president Hafez al-Assad. The attack was led by Hafez Assad’s brother Rifaat. The town was besieged for 27 days in order to quell an uprising by Sunni Muslim groups, including Muslim Brotherhood, against al-Assad’s government. Years have gone by, and we still don’t know the exact number of victims, but it is estimated that at least 10,000 Syrian citizens were killed, and there are even some estimates that put the number at 40,000. The number of missing has never been acknowledged by the Syrian leadership.

Robert Fisk was one of the rare journalists who witnessed the massacre. As always – Fisk warns us it wasn’t a black and white story, but of course – we must see it as a horrible event that can’t be justified. He also remembers how the Western governments were happy with the way Hafez al-Assad crushed the Muslim uprising. And then – almost thirty years later – we saw the West rising for justice in Syria, rising against al-Assad (this time Bashar, Hafez’s son). And in the last four years that attitude has been changing with all the unrest around the Middle East, the Western governments are still not very sure about their relationship with Bashar al-Assad. It’s an on and off thing, depending on various interests and changing circumstances. When international community starts talking about Syria, we can be sure the motifs are never justice and human rights, that is the lesson we learned.

Capture

Thanks to the NPR and a former Hama resident, Abu Aljude, there are some images that reveal the horror that took place in Hama thirty-three years ago. In an article written on the 30th anniversary of Hama massacre, Deborah Amos writes:

In the weeks and months that followed, news of the events in Hama dribbled out. But there were virtually no photos or any international reaction. Yet Hama stands as a defining moment in the Middle East. It is regarded as perhaps the single deadliest act by any Arab government against its own people in the modern Middle East, a shadow that haunts the Assad regime to this day.

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And now, three decades later, photos from Hama in 1982 are beginning to circulate on the Internet. One of the people compiling photos of Hama is Abu Aljude, who was a 16-year-old living in Hama at the time of the slaughter. ‘It took three weeks. We stayed in school overnight because we couldn’t walk back home. We walked over dead bodies. There were bodies in the streets,’ says Abu Aljude, now a medical technical expert living in California.

‘I wonder if dying then is less painful than surviving it and living the memories,’ he says.

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Within Syria, for decades now, mention of the massacre has been very much suppressed, although the general contours of the events—and various partisan versions, on all sides—are well known throughout the country. When the massacre is publicly referenced, it is only as the ‘event’ or ‘incident’ at Hama. The same thing is with the international community – there is still no general verdict saying the ‘event’ in Hama was indeed a massacre. That is why the ghost of Hama massacre still lingers on.

//all photos via NPR, courtesy of Abu Aljude//

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Afghanistan

Afghanistan: Under The Spell of Opium.

Afghanistan has had opium issues for many years now (the country is the leading opium supplier in the world). In a society disrupted by ongoing conflicts, where more than eighty percent of citizens are farmers, opium has been the only possible getaway for many people – for those producing it – it was a getaway from starvation, and for those consuming it – it was a getaway from the depressing reality. Afghanistan’s economy has thus evolved to the point where it is now highly dependent on opium, just like its people are.

NYC59855/Badakshan province. A farmer collects poppies. © Paolo Pellegrin/Magnum Photos/

In the 2014 Afghanistan Opium Survey (UNODC & Afghan Ministry of Counter Narcotics), there are several key findings:

The vast majority (89%) of opium cultivation took place in nine provinces in Afghanistan’s Southern and Western regions, which include the country’s most insecure provinces. The total area under opium poppy cultivation in Afghanistan was estimated at 224,000 hectares in 2014, a 7% increase from 2013.  Average opium yield amounted to 28.7 kilograms per hectare in 2014, which was 9% more than in 2013 (26.3 kilograms per hectare), and potential opium production was estimated at 6,400 tons.

opium/photo via UNODC/

Eradication efforts have forced many poppy farmers into the margins of the countryside. To many of them, opium is the only way of securing annual income, only way to survive. That is the way they have been living for many years. War has a lot to do with it, of course. War has everything to do with it, acutally. Since the 1979 Soviet invasion and the insecurity that came with it, opium poppy cultivation became the core of Afghanistan’s agricultural economy. Afghanistan overtook Myanmar as top producer of illicit opium in 1991, and the cultivation has been increasing ever since (with short downfall periods – after 2008, eradication efforts, as well as a cash incentive program for provinces that eradicated all opium poppy crops, helped reduce cultivation drastically through 2010).

NYC59778/Nangahar province. Women and children stand in a corner as DEA and Afghan interdiction troops assault a village hiding chemicals and drugs. © Paolo Pellegrin/Magnum Photos/

Incapable and corrupt government does not make it easier for the farmers. The provinces that are poppy-free receive $1 million awards from the American Embassy, paid directly to the governor’s office. It is not known how that money is divided among people, or what is done for the people with it. Many farmers continue cultivating in new places, in the deep jungle of the countryside.

In the provinces that are not poppy-free, farmers are just angry and sick of promises – many of them are promised wheat seeds and fertilizers to start a new cultivation business, but most of them were never given any, the same way the USAID money (and other aid money) often goes to suspicious places and projects that are never carried out.

hsod/photo via UNODC/

Afghanistan is a country still broken in many ways, and it seems that the only thing it is good at is producing opium. Afghanistan could become a true narco-state. In an article ‘Can Afghanistan Win The War Against Opium?‘ (February 2011 National Geographic), veteran Afghan law enforcement official said: “Afghanistan is controlled by the drug mafia. How else do you think those people in the government with their low-paying salaries bought their fancy houses in Dubai and the U.S. in the past few years?”

Another issue concerning opium is the addiction – around ten percent of Afghans are addicted to drugs, often opium or herion. They rarely receive drug treatments, because there are not many rehabilitation programs, and if there are – they are underfunded.

NYC59824/A poster warning against the use of opium. © Paolo Pellegrin/Magnum Photos/

The overall situation in Afghanistan could be described with one line from Thomas de Quincey’s Confessions of an English Opium Eater: “I take it for granted, that those eat now who never ate before; And those who always ate, now eat the more.”

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